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RE: RAT Re: John Sylvain and "grammar"
Bill, is that you?!?!?
> -----Original Message-----
> From: William Houts [SMTP:houts.w@ghc.org]
> Sent: Friday, October 22, 1999 9:47 AM
> To: rat-list@whirl-i-gig.com
> Subject: Re: RAT Re: John Sylvain and "grammar"
>
>
>
> >TravSD@aol.com wrote:
> >
> > Yo, John Sylvain--Shakespeare didn't give a fuck about grammar because
> no
> > dogma about english grammar existed in the Elizabethen period! He is the
> > master of the split infinitive, the mixed metaphor, and the extra foot
> of
> > meter-- in short, he is a great writer simply BECAUSE he bent the
> language to
> > his will and the fucking pedants, schoolmarms and "style mavens" hadn't
> yet
> > spread their feces around the field of human expression,
> straight-jacketing
> > the very words as they escape from our brains. Fuck the details! so said
>
> When you have mastered formal constraint, then it is no longer a rabid
> bear but a trained one, and you can make it do tricks, jump through hoops,
> dance, wear a tutu if you like.
> This mastery is why Mr.
> Shakespeare is a great poet, and Mr. TravSD is not.
>
> > Aeschylus, Aristophanes, Plautus, Rabelais, Shakespeare, Chaucer and
> Walt
> > Whitman and so say I ..
>
>
> I am not veryconversant with Plautus and Rabelais, to my shame. But the
> Greeks you mentioned were strict metrical poets, even (or especially) the
> comic poet Aristophanes, who typically broke metrical and grammatical
> constraints when depicting Persians and non-Athenian Greeks --in other
> words, complete backwater rubes
>
> As for the others, Chaucer was responsible to some extent for inventing
> poetic English, but I don't see how you can cut any ice with him. The
> CANTERBURY TALES are several thousand rhymed couplets in fairly regular
> iampic pentameter. And while Mr. Whitman isn't in this metricist camp,
> his sentence construction was regular enough to make any schoolmarm
> proud.
>
> (Though his Sentiments might make her blush.)
>
>
>
> --William L. Houts
>