Re: RAT The Anonymous Dramaturg(es)

[jonoh1@juno.com]

Guilty as charged.

On Tue, 17 Apr 2001 16:29:15 EDT BeSpecific@aol.com writes:
> In a message dated 4/17/01 9:45:50 AM Pacific Daylight Time, 
> frances@international-behind-the-barcode.org writes:
> 
> 
> > This fear based motivation of the majority of
> > > theatre practitioners today will eventually eat away at the 
> heart and
> > > soul of the theatre until it devours itself in an effort to fill 
> the hole
> > > in its' soul.
> > 
> 
> IS this from Jonathan Harris, that daredevil missed in Seattle from 
> the Plays 
> the Thing bookstore? It sure sounds like him.
> 
> I only have read a bit of this conversation, but it hit a piece of 
> me, which 
> is so much a part of theatre and theatre community, and that is, 
> feeling 
> included. feeling seen. feeling heard. being with. being with 
> another. 
> so much fear in this. this is what artists consider, in so many 
> decisions.
> When are they included in their community? When not? When are they 
> including 
> themselves in their community? And where does 'respect from peers' 
> enter or 
> not enter the picture? On what level? Does it matter?
> How much of the feedback we get from our work IS anonymous! How 
> often we do 
> not know or begin to know the ripple effect of our work, of our 
> voice in the 
> work.
> 
> Jessica Marlowe Goldstein
> Freehold Theatre/lab studio, seattle

www.ezrabuzzington.com



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