[Date Prev][Date Next] [Chronological] [Thread] [Top]

Re: RAT, The dramaturgy of...



I'm an enigma.
 
 
Seriously--I am very happy when people come to our shows.  My group is still very fledgling and at this point, I still count our success in the number of strangers that come--people who have no ties to anyone having anything to do with the production whatsoever.
 
I also, however, teeter between my intense desire to be "liked" as an artist vs. my desire to provoke the audience somehow.  I'm not sure you can really do both--not if they're taking you seriously, anyway.
 
The attitude I mentioned in my previous post and that I'm reacting against is that people somehow need to be protected from or have their hands held in coming to work that is outside of the mainstream.  That it has to be sugar coated so that like icky medicine, it can be tolerated--because "art" is good for you.   Also, living in the Minneapolis everything here seems to be geared towards the suburbanites.  I think I might have brought this up before.  Most of the downtown virtually shuts down once corporations close for the day and everyone heads home.  There is no culture, it seems--mainstream or alternative--that doesn't eventually seek out the people who treat the city as their playground and then head home somewhere else.  There's very little that is here for the people who live in the city and make it their home.  So it almost feels like we're the "zoo" and they're coming to look at the exotic city dwellers--the artists and people of color and the homeless people and whoever else they might encounter on their trip to Oz and we have to make sure the neighborhood isn't scary and the art isn't scary and the homeless people are just scary enough to make them grateful.  Sometimes I resent it.  The work I do reflects where I have chosen to live and the people that I live among and in many cases, celebrates that.  And when I am told that we have to package it just right and make it acceptable to the people who would just as soon go to Cats, it makes me want to be as confrontational and "fuck the audience" as I can possibly muster. 
 
Are those probably the people I most want to reach with my work? Absolutely!  Will I?  Even if I do welcome them and fan them and feed them grapes????  If I build it, will they come?  So yes, I know that my reaction and my irritation leaves me in danger of always playing to the choir.  Maybe I should be grateful that people are willing to "market" us.  But you know what--the people that are drawn in by that marketing don't come to our shows--and they don't go to the shows that I think are the best ones in the Fringe.  They're still drawn to musicals and sex and certain types of shows, and more and more room will be made to accomodate those shows--the ones that bring in the crowds so schmoes like me can do what I do to a small house and be grateful.
 
Sigh.  Sorry.  This took an ugly depressing turn.
 
 
Laura Winton
fluffysingler@prodigy.net
www.karawane.org
 
 
----- Original Message -----
Sent: Wednesday, January 17, 2001 10:27 AM
Subject: Re: RAT, The dramaturgy of...



>
> Obviously, anyone who chooses to come to one of our shows instead of
> Showboat--we rush up and hug them and I fan them and feed them
> grapes
> throughout the entire performance (occasionally slapping them with
> spare
> ribs and yelling FUCK).

But, you see, this confuses me. On the one hand you say you'll embrace
those brave soldiers who find their way to your doorstep, while on the
other you find it distasteful to market specifically to that group who
would never come see your meat show otherwise. So, are you saying that
it's the actual <marketing> of your show that you don't like? The
packaging? The hard (or soft for that matter) sell? Do you feel this
cheapens the experience somehow?
Need to know.
Must needs know.
Jonathan
>