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| Off / Independent | WOMAN FROM THE PAST (staged reading) | Romy Vogtlaender (lead) | Pub lic
Theater (GTA / LAByrinth Theater coproduction) |
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| OUTSIDE INN** | Ensemble | '08 - 59E59 |
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| HAMLET (first quarto) | Gertrude/Ghost | '07 - Brick Theater (part
of Pretentious Festival) |
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| TRUNK AND NET
REQUEST FOR URGENT BUSINESS RELATIONSHIP |
Mrs. Bolt
(lead) Ensemble |
Dixon
Place & Little Theatre at Tonic |
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| JIG SAW (Part
of Dawn Powell Festival) |
Claire (lead) | 78th
Street Theatre (Sightlines-New Georges-78th St. Theatre Lab co-production) |
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| SOME HISTORIC/SOME HYSTERIC | Icon (lead) | Clemente
Soto Vélez (New Stage Theatre) |
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| DESPOILED SHORE
MEDEAMATERIAL LANDSCAPE WITH ARGONAUTS ** |
Medea | Thieves
Theatre) |
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| TRASH,
THE CITY AND DEATH ** |
Ensemble | NoHo
Playhouse & ABC No Rio |
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| THE HUMAN VOICE
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One-Woman Play |
Washington Square Church |
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| Regional / Foreign | |||||
| UND JETZT/AND NOW | Angelika (lead) | Thalia Theater, Hamburg, Germany |
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| RICHARD II | Lady | Yale
Repertory Theatre |
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| MAJOR BARBARA | Jenny Hill | Yale
Repertory Theatre |
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| MARATHON (Ricardo Monti) German premiere | Ensemble | Theaterhaus
Stuttgart, Germany |
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| DIRTY LITTLE SECRETS (Jeffrey Jones) world premiere | Ensemble | Annex
Theatre, Seattle |
SAY UNCLE (world premiere) | Ms. Box Office (lead) | Theatre
Double, Philadelphia & Critics' Pick at L.A. and New Zealand Fringes |
| THE WHITE WHORE AND THE BIT PLAYER | Whore | Theatre
Centre, Toronto |
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| THE SICKNESS OF YOUTH ** | Marie (lead) | Circle
Theatre, Chicago |
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| TALLEY’S FOLLY | Sally | The
Troupe (Colorado) |
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| Film | |||||
| FOOD FOR THOUGHT | Lead (devious wife) | Project
Greenlight Submission by top ten finalist |
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| FILM SCHOOL (Leah Meyerhof's Multiple Neurosis) | Lead (disabled mother) | IFC |
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| ON GUARD | Lead (department head) | Also
Like Life Productions |
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| FISHING FOR TRAUSTER | Lead (lawyer/mom) | NYU |
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| THE DRY CLEANER | Lead (neurotic reporter) | NYU |
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| RISE 'N SHINE (Wasserman Award Nominee) | Lead (nurse/love interest) | NYU |
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| EMPTY (Wasserman Award Winner) | Supp (German lang./WW2) | NYU |
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| THE HOLE | Lead (demented prisoner) | SUNY
Purchase |
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| THE LAST STAND | Lead (docudrama) | Picture
Pearl Productions |
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| THE COMMUTER (feature) plus two shorts | Lead (love interest) | Columbia by Wayne Beach, author of Murder at 1600 |
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| Radio / Voiceover | |||||
| AMERICA'S NEWSSTAND OF THE AIR | Regular Broadcaster | In-Touch
Network (radio), national |
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| Voiceovers: Numerous learn-German cd's for Random House, Cooper Union, misc. others | |||||
| Education / Training | |||||
| Yale School of Drama – MFA (Acting) | Auditioning for Film & TV – School for Film & TV | ||||
| U. of IL at Chicago – BA (Criminal Justice, Theater) | On-Camera Commercial – Weist-Barron, SAG Conservatory | ||||
SITI – Suzuki and Viewpoints, Composition (w/Anne Bogart) |
Alexander (private) – Elizabeth Buonomo | ||||
| Butoh – Yoshito Ohno, Atsushi Takenouchi, Yukio Waguri, Akira Kasai, Diego Pinon, Shinichi Momo Koga, Yuko Kaseki, SU-EN, Joan Laage, Naoko Maeshiba, Minako Seki, Frank van de Ven | |||||
| Related | |||||
| Fluent, accent-free
German (native) • working knowledge of French and Spanish •
  ** plays translated by G.S. Yoga • swimming • jogging • horseback riding (Western) • ice/roller skating • driver’s license (stick; own car) • bowling • play casino poker/shuffle chips one-handed • have EU passport • wear contacts Co-Artistic Director, International Culture Lab • Co-founder, Thieves Theatre • founding member, Rat Conference • Producer, CAVE New York Butoh Festival |
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